- Išsiųsime per 12–18 d.d.
/https://libri-media.knygos-static.lt/d17a6da7-ffec-4c4f-9a3b-7c5926968fe7/2)
- Autorius: Elias Berner
- Leidėjas: Springer Nature Switzerland
- Metai: 2025
- Puslapiai: 288
- ISBN-10: 3031461991
- ISBN-13: 9783031461996
- Formatas: 14.8 x 21 x 1.6 cm, minkšti viršeliai
- Kalba: Anglų
- Extra -15 % nuolaida šiai knygai su kodu: ENG15
Atsiliepimai
Aprašymas
This book focuses on the aural and musical sphere of fictional audio-visual reconstructions of the Holocaust, a defining event in the history of the 20th century. Musicology has seen an increasing number of works on the function of film music and the construction of identity in media contexts in recent years. This project analyses the use of music in feature films about the Shoah. The analysis of 'the sound of Nazi violence', as well as the escape from and resistance against it, not only reveals a lot about the construction of the filmic characters' emotive states, but also tells us more about our own relationship to the past. The author understands the soundtrack of these films as an affective mediator of time, which connects filmic representations of the past with the present. Analysis focuses on the soundtracks of four films: Schindler's List, The Pianist, Taking Sides and Inglourious Basterds.
EXTRA 15 % nuolaida su kodu: ENG15
Akcija baigiasi už 14d.13:45:53
Nuolaidos kodas galioja perkant nuo 10 €. Nuolaidos nesumuojamos.
- Autorius: Elias Berner
- Leidėjas: Springer Nature Switzerland
- Metai: 2025
- Puslapiai: 288
- ISBN-10: 3031461991
- ISBN-13: 9783031461996
- Formatas: 14.8 x 21 x 1.6 cm, minkšti viršeliai
- Kalba: Anglų Anglų
This book focuses on the aural and musical sphere of fictional audio-visual reconstructions of the Holocaust, a defining event in the history of the 20th century. Musicology has seen an increasing number of works on the function of film music and the construction of identity in media contexts in recent years. This project analyses the use of music in feature films about the Shoah. The analysis of 'the sound of Nazi violence', as well as the escape from and resistance against it, not only reveals a lot about the construction of the filmic characters' emotive states, but also tells us more about our own relationship to the past. The author understands the soundtrack of these films as an affective mediator of time, which connects filmic representations of the past with the present. Analysis focuses on the soundtracks of four films: Schindler's List, The Pianist, Taking Sides and Inglourious Basterds.
Atsiliepimai